2018 really reignited my fire for finding new music to listen to and also reinvigorated my interest in bands who I already liked who also happened to have new albums being released. It also sent Crystal and I all over the Midwest to revisit our first true love live music, which was A-M-A-Z-I-N-G.
Anyway! Again, in no particular order:
Fall Out Boy’s Mania is really, really great and one of my most listened albums (and my most listened artist according to Spotify) of 2018. I like that Fall Out Boy has never seemed afraid to just write the songs they want to write regardless of what’s expected of them and that they keep producing music that is both really enjoyable and also meaningful and moving, regardless of whether you fall into their target demographic. They also continue to grow as musicians; they put on a hell of a live show. (We went twice! I cried! There was a lot of pyro!) and I can’t wait to see what they do next. Favorites: “Stay Frosty Royal Milk Tea” (Patrick Stump sing-yelling “résistance” is… life-changing.) & “HOLD ME TIGHT OR DON’T” & “Wilson (Expensive Mistakes)” & “Church” & “Heaven’s Gate” & “Champion” (Which makes me cry more often than I should admit.) & Okay, stopping because I’m going to end up listing the entire album.
Don Broco’s Technology is another album I fell for early on in 2018 and while I tapered off on my listening, it’s one I kept coming back to again when I thought about music I had really loved last year. A solid, well-produced, well-performed alt rock/post-hardcore effort that sounds best while blared loudly in a car with the windows down. There is some really memorable guitar work on this album that gets stuck in my head and some nice synth work that plays complement better than I would have expected. They’re also the first band to get me to buy Warped Tour tickets. We ended up giving them away, but we did buy them! Also, they make real weird music videos. Favorites: “T-Shirt Song” & “Come Out to LA” & “Pretty” & “Everybody” & “Â¥” & Something to Drink” & “Blood in the Water”
Reggie and the Full Effect’s 41 is so, so, so good and it’s killing me that I haven’t seen James Dewees touring on it yet because the show I went to in 2009 is still one of the best and most fun I’ve ever seen. Reggie’s albums are always sort of a stylistic adventure and I think 41 is probably the most cohesive yet. It feels like an album made for adults who still have feelings and if I’ve had a favorite emotional breakdown while rolling around on the floor in front of my turntable, it would definitely be the one I had to this album. Also, like all Reggie albums, it’s also dance-y as hell. Also-also, “Your drywall skills are fucking aces / Not even elective / You smell bullshit from twenty paces/ Skills so damn effective” has got to be one of the most specifically complimentary lines I’ve ever heard in a song. Favorites: Broke Down” & “Heartbreak” & “Karate School” & “The Horrible Year” & “Maggie” & “Off Delaware”
I found Dead!’s The Golden Age of Not Even Trying very early on in 2018 through a mix of The Algorithm and also seeing a random comment on Instagram saying that if we were missing My Chemical Romance (Am I ever not?) this would be a good listen and both the album and that random Instagram commenter were right! (The Algorithm knows me. I am one with The Algorithm.) This is another solid alt rock effort with some really great, punchy guitar and K-I-L-L-E-R bass work and some really clever, lovely lyrics — I am extremely partial to “Are you always this extroverted? / I’d like to ask if I could learn it / If you’ve got knuckles to drag / Then I’ve got bones to sweep / Any port in a storm / Can you hear me?” and I think about it A LOT. Favorites: “The Golden Age of Not Even Trying” & “Jessica” & “Off White Paint” & “You’re So Cheap” & “W9” & “Any Port” & Youth Screams & Fades”
I had sort of… forgotten that Panic! at the Disco was still making music until the Spotify algorithm shoved “Don’t Threaten Me with a Good Time” at me in late 2017 and I got re-interested and also dragged Crystal into it, kicking and screaming that she still loved Ryan Ross too much to listen to the new stuff. Pray for the Wicked is sooooooooo good. And so bright and clever and dance-y and FUN. Brendon Urie’s voice is a gift. And I am so glad that I dragged Crystal into it and she impulse bought us floor seats for the first leg of the tour because, wow. W-O-W. What a damn show. The album is a great whole and also great picked out song by song and I wish I was rich enough to just follow Panic’s tour around the world for the rest of my life. Also, I don’t know how I lived without the the delivery of “dying†in the third and fourth “when you’re dying in LA†in the chorus of “Dying in LA†for 33 entire years. Favorites: “Hey Look Ma, I Made It” & “High Hopes” & “Roaring 20s” & “Dancing’s Not a Crime” & “King of the Clouds” & “Dying in LA”
Crystal and I saw Fall Out Boy live twice this month and the shows were honestly spectacular. We saw them together in November 2007 and then for a variety of reasons (none having anything to do with Fall Out Boy, to be honest, just L I F E) hadn’t seen them again and it was really weird and interesting and exciting to see what ten years can do for a band. We had so much fun it was kind of unbelievable and I came out loving a couple songs that I was sort of meh about previously. (You cannot watch Patrick Stump jam out while doing “American Beauty/American Psycho” and not come out obsessed with it.) I love live music so much, it’s hard to articulate. It was so important to me for so many years and I took my access to it so extremely for granted. These last few months of shows have been massively revitalizing to me and I hope we can do it again soon.
I hate brushing my teeth! This is literally a thing I have struggled with my entire life. As an adult, I am lucky to 1. know that it’s partially a sensory issue, and 2. have a very good dentist & hygienist who help me take care of my teeth, but also, I just want to be better about it! Generally, if I can get myself started, I can brush fine, but it can be hard to make myself do it twice every single day. (I read that the optimal number is actually three times in two days, but dentists say twice a day because it’s easier and humans are big dumb forgetful animals.) I figured the best thing I could do to improve on it (after YEARS of trying to make myself a twice every day person) was to make sure I was always brushing for two minutes every time I brush. I have a Sonicare which I like a lot AND has a timer, but also can’t handle using every time I brush my teeth (GOD WHO KNEW YOU COULD HAVE SO MANY PROBLEMS WITH SUCH A SIMPLE LIFE FUNCTION) so I bought myself a timer in hopes that it would inspire me to brush for the full two minutes! And when I found 
Grady Hendrix’s My Best Friend’s Exorcism was such a good, fun, creepy read with a really wonderful core of friendship and love. It reminded me of my favorite kind of campy 80s horror movies and also my favorite stories about loyalty. It has a great cast of characters, makes good use of pop culture (without being annoying or feeling phony), and an ending that made me tear up. And definitely a great read for spooky season!
I LOVED Castle Rock! I didn’t really expect to and really just went into the first episode curious (like most things) because I’d seen someone mention it on Twitter and ended up feeling really hooked in a non-manipulative way. (Nothing makes me quit shit faster than a cliffhanger!) I just wanted to know more about the characters and see that Castle Rock mythos exploited and man, did I end up enjoying it. Bill SkarsgÃ¥rd is… a babe. A brutal, giant-eyeballed, beautiful babe. André Holland is really good and nuanced and I have loved Melanie Lynskey since But I’m a Cheerleader and I was so excited to see lots of other people I’ve loved pop up as well. The cinematography is really beautiful and the placemaking is exceptional, making every location feel really alive and unique. Also, Sissy Spacek is fucking amazing. Really very interested in seeing where this one goes next.
Dolly Parton & Sia’s new recording of Dolly’s “Here I Am” which they recorded for the Dumplin’ soundtrack (a book I loved and a movie I cannot wait to watch!) and which is absolutely so beautiful and tender and lovely that I can barely believe it. 
I feel like a lot of people went into Sierra Burgess Is a Loser thinking it was going to be like, super fun? Or similar to To All the Boys I’ve Loved Before and all I keep thinking is that none of those people were fat enough or weird enough in high school. A lot of this reflected my high school experience (and in ways I wasn’t expecting which was kind of interesting) even though I was way, way fatter than Sierra Burgess. She’s preemptively cruel in ways that I recognized and leans into her weirdness in a way that felt really true. But I also think people who didn’t think it was fun are wrong! Her friendship and exchanges with Daniel are fantastic and some of the brutal awkwardness let itself veer hard into the comedy of the moment which is always a great relief. It felt like an 80s movie with technology in a lot of great ways. And! It had my favorite trope of teachers calling out their asshole students in ways that both other students and teachers would probably kill to have happen in real life. Frankly, if you weren’t fat and bullied in high school, I don’t know that I’m particularly interested in your opinion of it anyway. Also, people forgive male characters for way worse deeds, so maybe let’s examine what’s going on there while we’re at it?
It took me a while to read Rebecca Stead’s First Light but thankfully that isn’t the book’s fault, I’ve just been terrible at follow-through this year. This was a conceptually great story with characters it was easy to care about and follow, even in the more high-concept side of the story. As I said in 
Crystal and I have dedicated our summer (and our October…) to live music because we have missed it so, so much since we moved to the middle of nowhere. We saw The Used in May which was an excellent show in an 
