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totally top three: august 2019

August was… below average. Here’s to September and a lurking, early fall and this stuff I managed to like despite circumstances conspiring against me.


Through whatever algorithmic magic occurred this month, I finally heard a Billie Eilish song and it was pretty good! So then I listened to When We all Fall Asleep, Where Do We Go?! And that was really good! And, were I still compelled to tweet with the frequency and volume I once did, I would have tweeted ‘i finally listened to billie eilish and i enjoyed it am i young again now’ because through the alchemical magic of pop culture, I did kind of feel young! I like “bad guy” A LOT because of the dramatic tempo change (One of my musical weaknesses!) and “you should see me in a crown” is extremely good and I got pretty appropriately obsessed with “my strange addiction” and I love the unsettling opening of “all the good girls go to hell” and its echo-y chorus too. “bury a friend” is also a jam and “listen before i go” is lovely. I really like the layering and reverb and bass drop stuff here and I love that it never feels like it’s hiding either her lyrics or voice. The kids are alright.


Speaking of kids, we watched Rim of the World which was less awful than I expected from McG and actually a very good time. I love when kids get to save the world! And I love and am terrified of aliens! And these had an actually pretty interesting design that didn’t feel like I’d seen it a thousand times (Humanoid aliens are boring!) even if the CGI was lackluster. The kids in this are really funny and charming and smart, especially considering they aren’t working with the greatest script ever produced, and I really appreciated that solving problems always came down to working together and doing the thing that needed to be done, even in the face of extreme fear. It also made me extremely homesick for southern California, despite the apocalyptic alien invasion.


I joke with Crystal all the time that when I conceptually attached myself to Ryland Blackinton way back in 2008 when he was with Cobra Starship (and I made a custom shirt for our three night tour following trip that said ‘RYLAND IS GOD’ on the back…) I really hung my hat on the right guy. He works a lot and every time he shares something new he worked on, I end up loving it. The newest is Goldroom’s Everybody’s Lonely EP which is extremely good, both chill and dance-able, and so far ceaselessly repeatable. Please immediately go listen to “U” and see if you’re capable of holding still when the bass comes in. The highest compliment I can give this EP is that it somehow sounds like electronic music from every decade from the 70s on, including a few we haven’t actually lived through yet. And I’d really like to rollerskate to it.


And five to look forward to…

it: chapter 2   julian winters, how to be remy cameron   villains   shaun hamill, a cosmology of monsters   3 from hell