I absolutely loved Claire North’s, The First Fifteen Lives of Harry August. Like I said in my review, once I realized what I was reading, I wasn’t sure that I would like it, but even when it made me feel a little dumb, I enjoyed it. Harry is just an incredibly interesting narrator to hang around with, both because of what he is and also because of the dry way he relays his observations of the world around him. Though he’s never effusive, you can feel these wonderful tremors of joy and anxiety and fear and possibility with just the subtlest change to the narrative voice. Wonderful writing and world-building and a great, simmering queer subtext, and the wonderful line, “He enjoyed toying with me, and, in my way, I enjoyed being toyed with.” — one of the absolutely horniest things I’ve ever read.
I’ve been listening to Phantom Planet’s “BALISONG” and Big Data’s “Put Me to Work” on repeat a LOT all month long. “BALISONG” has this great chugging rhythm and Alex Greenwald’s hypnotic voice rising and falling in all kinds of interesting ways and it’s got me extremely hyped for a full-scale comeback. “Put Me to Work” is fucking great, extremely dance-y and perfectly current while also feeling a little flashback-y like all good synth music. Also, who doesn’t love a shout-y sing-a-long chorus?
I waited a long time to watch Call Me By Your Name because despite my Genuine! Best! Efforts! I am a jerk who sometimes ends up turned off of things because the hype has overwhelmed me! I don’t think it was necessary this time, but man, was it worth the wait anyway. What a lovely piece of moviemaking and storytelling. I’ve been trying to articulate a lot of things about it both as a movie I liked and as a Piece of Queer Media (especially a compare and contrast with Brokeback Mountain, oh man. There are even shirt parallels!) but mostly I keep being grateful (which says something really fucking shameful about pop culture) that this felt like a movie about a gay relationship that I was just able to enjoy as a romance because no one died a horrible death and the heartbreak was just nice regular heartbreak. Progress!?!??! Also, what a lovely story about family, too. (Shoutout to Reid, the tattoo artist I saw a couple of weeks ago who said it “really fucked him up” because I hadn’t seen it yet and couldn’t have a conversation about it, but you know what? Fucking same, dude.)
I thought Unicorn Store was incredibly sweet and charming and also it made me cry a little bit, but in a nice, moved way, which is always great. Brie Larson is a national treasure who I already love a lot and Mamoudou Athie is a wonderful new addition to my list of People to Be Obsessed With. I liked that this just leaned into its premise and let it play out as weird as it wanted to without sacrificing any of its characters’ humanity. Samuel L. Jackson was also great as always and man, what a wardrobe! 
I didn’t actually know anything about Jessica Knoll’s Luckiest Girl Alive when I finally started reading it 10,000 years after the hype died down and though 
Lizzo is a babe, a talent, a hero, an idol, an inspiration and Cuz I Love You is joyful and fun and energetic and beautiful and I am so glad I’m alive on earth at the same time as her. I can’t imagine telling a young version of myself about Lizzo’s entire existence and I am so envious of and happy for young people right now. Favorites: “Cuz I Love You” & “Like a Girl” & “Jerome” & “Better In Color”
I L-O-V-E-D The Umbrella Academy! It was really fun and engaging and a little dumb, which is generally what I’m looking for in all my media about people with superpowers. I like the characters a lot, even when I don’t — looking at you, Luther — and I thought it looked really good, bright and lively with really fun set and costume design. I liked that it never hit a point where I felt like it was taking itself too seriously, which is really important for me with most things I watch and read, but especially stuff with an inherently goofy premise. It hit some really nice emotional moments, gave me a bunch of characters to care about, and left me looking forward to the possibility of a second season!
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I really liked the third season of One Day at a Time! As a show, it really fills a hole in my heart made by 90s sitcoms that wanted me to learn and feel things and I like that I get to have that experience again, but with some issues that would have never made the cut in my youth. I love these characters very much and I like that the stories are tightly contained and solved relatively simply, but never without a pretty satisfying emotional payoff. Even the cheesy sitcom dialogue works in the show’s favor because the acting shines against the constraints of the words and helps diffuse some of the preachier bits. I’m sad it won’t be coming back, but it’ll be fun to have three solid seasons to rewatch when I’m feeling bad about the world, which is basically always.
