August was… below average. Here’s to September and a lurking, early fall and this stuff I managed to like despite circumstances conspiring against me.
Through whatever algorithmic magic occurred this month, I finally heard a Billie Eilish song and it was pretty good! So then I listened to When We all Fall Asleep, Where Do We Go?! And that was really good! And, were I still compelled to tweet with the frequency and volume I once did, I would have tweeted ‘i finally listened to billie eilish and i enjoyed it am i young again now’ because through the alchemical magic of pop culture, I did kind of feel young! I like “bad guy” A LOT because of the dramatic tempo change (One of my musical weaknesses!) and “you should see me in a crown” is extremely good and I got pretty appropriately obsessed with “my strange addiction” and I love the unsettling opening of “all the good girls go to hell” and its echo-y chorus too. “bury a friend” is also a jam and “listen before i go” is lovely. I really like the layering and reverb and bass drop stuff here and I love that it never feels like it’s hiding either her lyrics or voice. The kids are alright.
Speaking of kids, we watched Rim of the World which was less awful than I expected from McG and actually a very good time. I love when kids get to save the world! And I love and am terrified of aliens! And these had an actually pretty interesting design that didn’t feel like I’d seen it a thousand times (Humanoid aliens are boring!) even if the CGI was lackluster. The kids in this are really funny and charming and smart, especially considering they aren’t working with the greatest script ever produced, and I really appreciated that solving problems always came down to working together and doing the thing that needed to be done, even in the face of extreme fear. It also made me extremely homesick for southern California, despite the apocalyptic alien invasion.
I joke with Crystal all the time that when I conceptually attached myself to Ryland Blackinton way back in 2008 when he was with Cobra Starship (and I made a custom shirt for our three night tour following trip that said ‘RYLAND IS GOD’ on the back…) I really hung my hat on the right guy. He works a lot and every time he shares something new he worked on, I end up loving it. The newest is Goldroom’s Everybody’s Lonely EP which is extremely good, both chill and dance-able, and so far ceaselessly repeatable. Please immediately go listen to “U” and see if you’re capable of holding still when the bass comes in. The highest compliment I can give this EP is that it somehow sounds like electronic music from every decade from the 70s on, including a few we haven’t actually lived through yet. And I’d really like to rollerskate to it.
I absolutely loved Claire North’s, The First Fifteen Lives of Harry August. Like I 
I’ve been listening to Phantom Planet’s “BALISONG” and Big Data’s “Put Me to Work” on repeat a LOT all month long. “BALISONG” has this great chugging rhythm and Alex Greenwald’s hypnotic voice rising and falling in all kinds of interesting ways and it’s got me extremely hyped for a full-scale comeback. “Put Me to Work” is fucking great, extremely dance-y and perfectly current while also feeling a little flashback-y like all good synth music. Also, who doesn’t love a shout-y sing-a-long chorus?
I waited a long time to watch Call Me By Your Name because despite my Genuine! Best! Efforts! I am a jerk who sometimes ends up turned off of things because the hype has overwhelmed me! I don’t think it was necessary this time, but man, was it worth the wait anyway. What a lovely piece of moviemaking and storytelling. I’ve been trying to articulate a lot of things about it both as a movie I liked and as a Piece of Queer Media (especially a compare and contrast with Brokeback Mountain, oh man. There are even shirt parallels!) but mostly I keep being grateful (which says something really fucking shameful about pop culture) that this felt like a movie about a gay relationship that I was just able to enjoy as a romance because no one died a horrible death and the heartbreak was just nice regular heartbreak. Progress!?!??! Also, what a lovely story about family, too. (Shoutout to Reid, the tattoo artist I saw a couple of weeks ago who said it “really fucked him up” because I hadn’t seen it yet and couldn’t have a conversation about it, but you know what? Fucking same, dude.)
I thought Unicorn Store was incredibly sweet and charming and also it made me cry a little bit, but in a nice, moved way, which is always great. Brie Larson is a national treasure who I already love a lot and Mamoudou Athie is a wonderful new addition to my list of People to Be Obsessed With. I liked that this just leaned into its premise and let it play out as weird as it wanted to without sacrificing any of its characters’ humanity. Samuel L. Jackson was also great as always and man, what a wardrobe! 
I didn’t actually know anything about Jessica Knoll’s Luckiest Girl Alive when I finally started reading it 10,000 years after the hype died down and though 
Lizzo is a babe, a talent, a hero, an idol, an inspiration and Cuz I Love You is joyful and fun and energetic and beautiful and I am so glad I’m alive on earth at the same time as her. I can’t imagine telling a young version of myself about Lizzo’s entire existence and I am so envious of and happy for young people right now. Favorites: “Cuz I Love You” & “Like a Girl” & “Jerome” & “Better In Color”
I really, really L-O-V-E-D The Haunting of Hill House and though I know it’s like, deeply uncool now to admit that spoilers matter to you, I am so glad that I managed to go in with really only my knowledge of 1999’s The Haunting (a mostly terrible, but extremely gay movie I saw in theaters) because waiting for each new moment was really satisfying and stressful and made the tension the show was building extra delightful. I was amazed at how quickly I was really invested in the characters and also how much I liked things that I am normally bored by in media (mostly those constraintless timelines and try-hard dialogue). It’s yet another series I am left hoping will stand as-is and another where I won’t seek out anyone’s opinions about it because they’ll mostly be boring, which is a sign that I really liked the show. If the thought of an adult man in front of a cake makes me weep, well. That’s how I like it.
I didn’t listen to a lot of new music in February (instead inexplicably deciding to relive my childhood by revisiting the Beatles’ catalog? The White Album still rules tbh.) but I did manage to listen to Two Feet’s 20 Something Fuck which I think is extremely solid, if short. The algorithm served me “I Feel Like I’m Drowning” way back (I posted it as a ~jam to my Instagram story in June, I think) and I’m glad that the whole album has a similar sound and energy. This is very much summer music for me and I need that right now because BOY AM I SICK OF WINTER. I’m very into the aforementioned “I Feel Like I’m Drowning” but also love “Hurt People” and “You Say” and “Back of My Mind”.
Crystal and I finally watched Baby Driver after a like two hour fight with my dad’s DirecTV login because we are truly millennials but thankfully it was extremely worth it. I really loved the characters and the acting (Fuck Kevin Spacey, obviously.) and the CAR CHASES! Set in daylight! The sign of a good car movie is how bad I want to drive fast afterward and I have to say the people of North Dakota are lucky that I am old and scared of winter driving or I would have immediately been out there raising hell. The music was great even though it’s clear that Edgar Wright thinks his taste in music is ~extremely cool~ and I loved the sound mixing (even though the whining they put in when Baby had his headphones out was TORTURE because of my intermittent tinnitus) and ASL. Also I accidentally came out of it extremely attracted to Ansel Elgort which is mildly upsetting.
