It’s September! 2020! Already! Jesus! Hi! This is your reminder to please donate to mutual aid funds if you’re able! Wash your hands! Wear a mask! Stay safe! Stay sane! I love you! A lot!
I’ve been on a country kick lately — unfortunately I am now truly midwestern, rip the cool version of me — that started because I listened to Bonnie Raitt’s entire discography and then the Old 97s — one of the only contemporary country artists I listened to when I was still cool — dropped an album in my lap! And it’s great. This is really classic country storytelling and it feels very alt-Texas. I’m partial to “This House Got Ghosts,” “I Like You Better,” “Belmont Hotel,” “Our Year,” “Bottle Rocket Baby,” and “Why Don’t We Ever Say We’re Sorry,” which, you know, is most of the album, so they must be doing something right.
One of my personal projects this year has been to try to get into poetry because I’ve never read beyond what I absolutely had to when I was in college/grad school and that seems unfair to a whole bunch of writers! It has been… a largely fruitless endeavor because my brain just isn’t designed for it honestly, but I ordered Kimmy Walters’ new collection The Faraway [review!] and ended up loving a bunch of the poems in it, including “zeitgeist wants me in its mouth” and ten others I took pictures of to reread at whim.
Tomasz Jedrowski’s Swimming in the Dark [review!] was lovely and achy and richly written. It was really nice to drop into a time and place I haven’t encountered often before and see it rendered in a complex and interesting way whiles spending time with a narrator that I cared deeply about.
The only thing I had the energy to watch this month is a Fox TV show about baseball that was canceled in 2016. Well, I also watched a lot of hockey when it came back and a couple of baseball games, but stuff with an emotional arc? Plot? Don’t know ’em, couldn’t handle them if I did. Anyway, we did watch most of Pitch and 
My two most listened playlists in July were 
One of the best things about Spotify aside from The Algorithm is that if I have an errant thought about a playlist I want to hear, there is already one waiting for me. These two are some of the best I’ve heard this year. (Yes, ska is good, actually. Shut it.)
The Old Guard was really fun! I liked all the characters and the universe it built and I thought the action was all pretty fun and the setup for a sequel was solid. I’d definitely watch another two hours of Charlize Theron and KiKi Layne kicking absolute ass with an occasional detour where two incredibly beautiful men say deeply loving and romantic things to each other if it was available to me.
I held off on watching The Half of It for a bit because I’d seen a thread on Twitter from writer-director Alice Wu talking about how it was based vaguely on a friendship from her youth and how it had ultimately ended badly and I was just not prepared for the chance that the movie might end similarly — I’m a big proponent of writing from your own history, but I also don’t know why anyone wouldn’t write themselves a better ending. What’s the point of fiction otherwise? — but I was wildly pleased to see that was exactly what she’d done and it was such a joy to watch. I laughed a lot, I cried a little, I felt immense satisfaction. Ellie, Paul, and Aster are all great and I loved Ellie’s dad very much too.
Based on what I saw in my Spotify friend activity bar, pretty much the only thing anyone was listening to was Run the Jewels’ new one and that was pretty much my MO for June too. Every song on this one is great, but I’m particular to “out of sight,” “holy calamafuck,” “walking in the snow,” “JU$T,” “never look back,” and “the ground below,” which, to be fair, is uh, most of the album. Run the Jewels always hit me really well musically — for reasons I don’t know enough about music to articulate, but I think it’s a combination of bass lines and tempo? maybe? — but this feels as lyrically pertinent as ever. 
