Everything is so, so awful, so I escaped into gay love stories this month! Coping methods are what they are, man. (Also, queer joy is radical.)
Netflix’s Alex Strangelove was very charming and very sweet and pretty funny with likable characters that I super enjoyed spending time with. I was a little bored with the root of Alex’s repression (and repression in general, some people don’t figure it out ’til later on and that’s FINE, it doesn’t always have to be about trauma) but overall this was a really fun, really joyful gay romcom. Daniel Doheny was very good and I loved seeing Jesse James Keitel’s character Sidney be really unapologetically visible in the face of Dell’s dumb straight boy ranting. Fun and sweet!
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I had been very eagerly awaiting Love, Simon since I read the book way back when and had loved it pretty thoroughly and I think it translated really well to screen and was a fun, sweet watch. It was lovely to see so many characters of color and teenagers just being teenagers and also to see dumb, shitty bullies get told off and punished by an adult in a really satisfying way. Everyone was really great in this — I particularly loved the parents and teachers — and I was particularly impressed with Clark Moore’s Ethan who, in a movie made even five years ago, would have been a one-note joke.
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Cinnamon Toast and the End of the World was a gift from the Amazon algorithm, recommended to me based on the probably pretty high volume of queer books I both peruse and buy. I really liked the writing in this one and Stephen’s inner monologue and the secondary characters we get to spend time with. I also especially liked seeing it take place in an semi-unfamiliar place and time, the 80s in Nova Scotia, and the fact that it is a real coming-of-age story, following Stephen for a good long while. This one is less happy than the the stories I tend to love (and beware if you’re particularly sensitive to violence) but it is really hopeful and kinder than a lot of books set in similar times and places. It reminded me some of Marie Sexton’s Trailer Trash, which I loved a LOT, so now I’ll probably think of them as a little gay small town 80s American-Canadian set.
I was really, really excited about John Mulaney’s new Netflix special Kid Gorgeous at Radio City and that’s usually a bad omen for me because being excited about something often leads me to having accidentally high expectations and I do not handle having expectations well at all. But Mulaney totally delivered and I laughed a lot a lot and was just generally delighted. It also has the most beautiful stage setup I have ever seen for a stand-up set and I’d kind of just like to stare at it a lot forever which is sort of weird, but great.
Crystal and I caught up on Brooklyn Nine-Nine and Speechless this month and they’re just such good, funny, smart, charming shows that I kind of get overwhelmed by them both. It’s nice to watch sitcoms that are consistently funny and don’t waste their time or energy on jokes that punch down. I’m also super glad that both are coming back next year!
Ali Wong’s new special Hard Knock Wife is so so so soooooo funny. Her jokes are great and really well-paced, but what really sets her apart is her delivery. She says things in ways that I never expect and she commits 1000% to everything she does and it all made me laugh so hard that my stomach hurt afterward. I also love that no matter how outlandish or “gross” her jokes might get, they never feel like she’s trying to be ~edgy or outrageous; it feels like she’s talking to you the way she’d joke around with her friends and that makes the show feel really special.
The universe conspired this month and “Spell It Out” from You Me At Six’s Night People ended up on one of Crystal’s Spotify Daily Mixes and I just happened to be with her in the car while she was listening to it and it was absolute instant obsession — I think I listened to it at least a half-dozen times immediately — and the rest of the album is also pretty good. This is another band that comes up in Rock Sound’s 
I had heard about Waterparks kind of a lot earlier this year, but had never felt particularly compelled to check them out until the video for “Blonde” ended up crossing my YouTube recommendations and it was fun enough to be intriguing. I like this album because even though it’s pretty cohesive, you also kind of don’t know what’s coming next track-to-track and I always love bands who are willing to just write the songs they want to write and go with it. Tracks to Check: “Blonde” & “Tantrum” & “Crybaby”
You know, I’ve spent a lot of time in my life yelling wildly yelling about ~The Algorithm~ but the more I use Spotify, the more I believe it’s the only technology that truly understands me because it keeps jamming incredible songs from bands I’ve never heard of into my Discover Weekly playlist and if it did not, I would have never heard of Bear Ghost and a portion of the Ludo-shaped hole in my heart would not be filled. Blasterpiece is sooooooooooo goooooooooooood and exactly the perfect mix of fun and weird that I needed in my life. Tracks to Check: “Necromancin Dancin” & “Funkle Phil” & “All at Once”
Reggie & the Full Effect, 41 – James Dewees is a super talented, super nice dude who makes so much music sometimes it’s hard to keep up with him. Reggie & the Full Effect is my favorite of his efforts and the albums just keep getting better. If you’ve never listened to one, you’re in for kind of a trip: he moves through a variety of genres and styles and it’s just really fun and eclectic. Tracks to Check: “Broke Down” & “Heartbreak” & “You’ve Got Secrets”
(Bonus: If you’re already on Amazon buying a hoodie, you should also buy one of these 
It is extremely hard to not love an album that starts with an homage to/sample of Baz Lurman’s Romeo + Juliet soundtrack and thankfully the rest of Dead!’s The Golden Age of Not Even Trying doesn’t disappoint. This is a hell of an album with some great guitar work and really… unexpected? vocals. Also! A great album for people who are missing My Chemical Romance. Tracks to Check: “Enough Enough Enough” & “Off White Paint” & “Any Port”
Crystal and I sat on the couch on the first Saturday of February and watched all 10 episodes of 
Not to be dramatic, but I’m pretty sure Don Broco is my new favorite band? Technology is GOOD. Really, really end-to-end excellent. There is a sort of sonic magic happening that I don’t have the musical knowledge to articulate, but it’s… incredibly special and somehow reminiscent of a lot of things I’ve loved before (They remind me a lot of CKY: my favorite band from late 2003-2007) and also not exactly like anything I’ve ever heard before. It fucking rules. Also, I wouldn’t have found them without Rock Sound’s very delightful 
