It really seemed like things were getting better there for a minute, didn’t it?
Anyway! In the spaces between my brain going, “We :) are :) living :) through :) a :) plague :),” I have tried to compile some of the stuff I loved best this year! I did a lot of music listening and a lot of reading and not a lot of much else, so let’s see where 2021 shook out!
I didn’t read my first KJ Charles this year, but I did get very into Spectred Isle and Slippery Creatures which I did read in 2021. Charles has a masterful way with both worldbuilding — something I don’t usually care about since I’m not a supernatural/historical/scifi/fantasy person! — and romantic tension, but also manages dialogue that’s fun and snappy without feeling forced between characters that are likable and interesting.
My most listened to artist according to Spotify this year was The Tragically Hip which is absolutely true, and I got into quite a few other artists this year — Goat Girl, Deaf Poets, Father John Misty, Shakey Graves, Tyler Childers, Meg Myers — but I think the album I listened to most — and often started over from the beginning as soon as it ended — was Miya Folick’s Premonitions. Every song is great and the album as a whole works incredibly well and I couldn’t be more grateful to the algorithm serving it to me, even if it was a couple years late. I’d be remiss not to shoutout the live version of “Thingamajig” which puts me through an emotional blender every. single. time.
My favorite book this year was Elif Batuman’s The Idiot which took me almost two years to finish, but only due to a mix of personal problems and the whole world going to hell. It’s an exceptional book, somehow about nothing and everything simultaneously, funny and really heartfelt, thoughtful about the experiences of a young adulthood that looked nothing like mine and yet still managed to be incredibly relatable. As previously noted on Twitter, I cannot properly express how hard or how many times I’ve laughed at, “Dracula had a totally different experience at the zoo from that of other people.” 
I read a ton of queer sports romances this year, both while on my Unlimited Summer 2021 journey and not, and though most of them were fine to very bad, I did read quite a few that were great.
Rachel Reid’s books are all very solid, but I was particularly fond of Heated Rivalry and Role Model and I think Ilya Rozanov is going to go down as one of my favorite characters in the last five years, easily. A.L. Heard’s Hockey Bois was the best book with a bad title I read this year, charming and sweet and very much about the romance of adult domesticity. Ashlyn Kane and Morgan James’ Winging It was also really charming with a fun cast and some good hockey cameos. Cait Nary’s Season’s Change was a dream, one of my favorite reads this year, full of characters I loved and cared about and with sharp writing better than basically everything else I’ve seen in the genre. Sorry you have to wait ’til February to read it!
Some other stuff I’ve loved this year, both new and more deeply: this vertical mouse, All or Nothing: Toronto Maple Leafs, these maxi dresses, sitting the fuck down whenever humanly possible, these food storage containers, Flipped, this goofy light, baseball — particularly the Dodgers and the Padres, Kringle Cream, Fear Street: 1994, these reusable water bottles, Walking Alice on YouTube, sleeping under this weighted blanket, laying down on the floor in a pile of pillows, Paramount+, these sweaters and these cropped hoodies from Target, and the Minnesota Wild.
Happy almost New Year! Here’s to high hopes and low expectations for 2022! I hope this year treats you kinder than the last and I hope you’re kinder to yourself than you ever have been before. I love you! Be safe! ♥
I’ve been on a country kick lately — unfortunately I am now truly midwestern, rip the cool version of me — that started because I listened to Bonnie Raitt’s entire discography and then the Old 97s — one of the only contemporary country artists I listened to when I was still cool — dropped an album in my lap! And it’s great. This is really classic country storytelling and it feels very alt-Texas. I’m partial to “This House Got Ghosts,” “I Like You Better,” “Belmont Hotel,” “Our Year,” “Bottle Rocket Baby,” and “Why Don’t We Ever Say We’re Sorry,” which, you know, is most of the album, so they must be doing something right.
One of my personal projects this year has been to try to get into poetry because I’ve never read beyond what I absolutely had to when I was in college/grad school and that seems unfair to a whole bunch of writers! It has been… a largely fruitless endeavor because my brain just isn’t designed for it honestly, but I ordered Kimmy Walters’ new collection The Faraway [
Tomasz Jedrowski’s Swimming in the Dark [
The only thing I had the energy to watch this month is a Fox TV show about baseball that was canceled in 2016. Well, I also watched a lot of hockey when it came back and a couple of baseball games, but stuff with an emotional arc? Plot? Don’t know ’em, couldn’t handle them if I did. Anyway, we did watch most of Pitch and 
My two most listened playlists in July were 
One of the best things about Spotify aside from The Algorithm is that if I have an errant thought about a playlist I want to hear, there is already one waiting for me. These two are some of the best I’ve heard this year. (Yes, ska is good, actually. Shut it.)
The Old Guard was really fun! I liked all the characters and the universe it built and I thought the action was all pretty fun and the setup for a sequel was solid. I’d definitely watch another two hours of Charlize Theron and KiKi Layne kicking absolute ass with an occasional detour where two incredibly beautiful men say deeply loving and romantic things to each other if it was available to me.
I held off on watching The Half of It for a bit because I’d seen a thread on Twitter from writer-director Alice Wu talking about how it was based vaguely on a friendship from her youth and how it had ultimately ended badly and I was just not prepared for the chance that the movie might end similarly — I’m a big proponent of writing from your own history, but I also don’t know why anyone wouldn’t write themselves a better ending. What’s the point of fiction otherwise? — but I was wildly pleased to see that was exactly what she’d done and it was such a joy to watch. I laughed a lot, I cried a little, I felt immense satisfaction. Ellie, Paul, and Aster are all great and I loved Ellie’s dad very much too.
Based on what I saw in my Spotify friend activity bar, pretty much the only thing anyone was listening to was Run the Jewels’ new one and that was pretty much my MO for June too. Every song on this one is great, but I’m particular to “out of sight,” “holy calamafuck,” “walking in the snow,” “JU$T,” “never look back,” and “the ground below,” which, to be fair, is uh, most of the album. Run the Jewels always hit me really well musically — for reasons I don’t know enough about music to articulate, but I think it’s a combination of bass lines and tempo? maybe? — but this feels as lyrically pertinent as ever. 
